Arts & TheaterEnvironmental SustainabilityFoodTravelUncategorized

          Did you know that there are no open container laws in New Orleans?

          I didn’t. Frankly, I didn’t know what to expect when I flew into NOLA on the eve of Mardi Gras. I have always wanted to celebrate Mardi Gras in New Orleans, but only because of the living room in my childhood home. My mother painted the walls a dark, royal purple and hung feathered masks to match. I had a strong visual of the iconic event, but in my mind, it was completely distanced from its context. New Orleans couldn’t possibly be a city in Louisiana, not in the United States at all, but rather, a whimsical land outside of space and time where sequined fairies shower you with beads and court jesters dance in the streets.

          My conception wasn’t entirely false. Sequined fairies do shower you with beads, and court jesters do dance in the streets. New Orleans at Mardi Gras embodies liminality. Everyone is either coming or going, yet no one has any real place to be. All other affairs come to a screeching halt. The laws and morals of everyday life needn’t apply—after all, it’s Mardi Gras, baby.  At least, this seemed to be the attitude held by my friend Payton, who lived in New Orleans and hosted me for the week. His job gave him the week prior to Mardi Gras off, so he spent his free days attending parades and collecting festive paraphernalia. He proudly showed off his favorite “throws”—stacks of plastic cups and handfuls of fake doubloons—while boasting his tried-and-true method for capturing a Krewe member’s attention aboard a float. I won’t reveal his secret, of course; everyone must discover their own methods.

          Unsurprisingly, the debauchery and chaos of Mardi Gras are steeped in age-old religious tradition. And who better than the Catholics, of course, to throw a raucous sin fest every year to commemorate the season of salvation?

          Rather than tell you where it all starts, it’s easier for me to explain where it ends, and that’s Easter Sunday. Easter falls on the first Sunday after the Paschal full moon, and the forty days preceding the feast are called Lent. This is a time of fasting and religious observance, wherein Catholics honor the forty days Jesus spent wandering in the desert prior to his crucifixion. They will usually make a Lenten sacrifice (such as a food or habit) and/ or undertake a spiritual discipline (such as daily devotional or prayer) to honor Jesus’s ultimate sacrifice. Many Catholics also forgo meat. Easter, then, is a welcome respite; the breaking of the long fast; a light at the end of the tunnel. The period of grief is necessarily ended by celebration of the great miracle of Christianity.

          But let’s keep winding the clock back. Lent kicks off with Ash Wednesday, when Catholics attend mass in the morning to formally begin the fast. If we go back one day further, we land on the Tuesday before Lent. This Tuesday is known as *Fat Tuesday* in honor of the gluttony that you’re meant to indulge in on the day before you fast. Traditionally, Catholics eat rich, fatty foods the night before Lenten season, then repent their sins one last time before the piety begins. It’s a classic pre-game celebration, and because it’s such a great idea, lots of non-Christians have joined in on the Fat Tuesday festivities as well. Mardi Gras is a literal translation of “Fat Tuesday” in French, and you don’t even have to be Catholic to partake!

          France, a nation that proudly celebrates Carnival, is responsible for bringing the festivities to Louisiana. In 1699, on the eve of Lent, French-Canadian explorer Jean Baptiste Le Moyne Sieur de Bienville arrived on a plot near New Orleans and declared it the “Pointe du Mardi Gras.” I guess the people of New Orleans took that title and ran with it, because now the city is infamous for its rowdy pre-Lent party. Suffice it to say that the world has Catholicism to thank for this thrilling tradition.

Festivities

            The NOLA Mardi Gras celebration consists mainly of lavish parades, hosted by exclusive groups called Krewes. The Krewes, usually named for Classical heroes and Gods (Bacchus, Sparta, Dionysus, etc.), build their own floats, plan performances, and design costumes, all of which are shrouded in secrecy until the grand Mardi Gras reveal. Unless you’re one of the lucky few privies to a Krewe gathering, you’ll have to set up camp on the parade route to see the resulting masterpieces.

            Parades start as early as a month before Fat Tuesday and each follow different routes, though most of them travel west through the French Quarter. Festivalgoers stake out spots hours before the parade to socialize, dance, eat, drink, and generally cause a ruckus. I attended my first parade with some of Payton’s friends, who prepared an entire parade-side cookout. We hauled a charcoal grill and carts full of food to the street, where we commenced a needlessly elaborate barbecue. Our neighbors to the right blasted music from their boombox while the couple to our left danced in matching sequined outfits, and we offered hot dogs to both parties in the spirit of Mardi Gras abundance. I opted for a smoky veggie skewer, of course.

          Most parades are still led by Flambeaux—a line of flaming torches that were once crucial for providing light for the festivities. Even after the advent of streetlights, they remained a symbol of the party to follow. The Flambeaux announce the arrival of the Krewe and its parade: gargantuan floats, costumed dancers, and showers of petty treasures—namely beaded necklaces and plastic masks. Attendees crowd the floats as they pass by, pleading and performing for a chance to catch the krewe’s exclusive throws. Some of my favorite catches included a set of plush dice and a Krewe of Orpheus coin.

          Masks, the iconic symbol of Mardi Gras, allow wearers to temporarily transcend borders of class, status, race, and religion. They grant the wearer freedom to behave freely during the Carnival season. Masks lend to the liminality of the event; no one is who they usually are. You can find plastic masks littering the streets after a parade, but the best ones require exquisite craftsmanship and painstaking detail. I quite enjoyed perusing the mask shops on Bourbon Street, where each mask alluded to a different culture or time, from 18th century Commedia Dell’arte to 14th century plague doctors to ancient dramatic traditions all over the world.

     Now, Mardi Gras doesn’t have to be all booze and belligerence (although you’ll see plenty of that!). In the name of contextualizing the chaos, I have some travel recommendations for my readers.

Food

Union Ramen: Japanese cuisine curated by a Vietnamese chef and a Filipino restauranteur—a true melting pot! Try the beggar’s purse dumplings, the shishito peppers, and the miso ramen with oyster mushrooms.

Juan’s Flying Burrito: Creole-tinged Tex-Mex with an emphasis on burritos. Chips & queso are great, of course, but the vegetarian options are numerous; order the tofu Juaha roll, the veggie punk burrito, or the BBQ mushroom quesadillas.

The Vintage: a classy little café bar with a tantalizing selection of beignets, baked fresh daily with rotating flavors. They also serve hors d’oeuvres and wine if you’re into that. I was extremely tempted by the truffle parmesan fries.

San Lorenzo: an ode to coastal Italian cuisine nestled in the historic St. Vincent Hotel. The lounge is spacious, warmly lit, and the dishes showcase the diversity of flavors in NOLA. I recommend the zucchini fritti and the arugula salad.

Creole Creamery: a local ice cream joint with a large selection of novelty ice cream flavors ranging from lavender honey to petit four. My favorite was chocolate doberge, but the flavors rotate regularly. Go check out the new menu when you’re there!

NOLA Caye: a contemporary take on regional New Orleans cuisine, which is a hybrid of European, Indigenous American, African, and Caribbean flavors. Unfortunately, creole food leaves something to be desired for vegetarians, but Caye has struck a beautiful balance. They’re known for their seafood, but I loved the crispy plantains and the jalapeño-cheddar grits.

Bittersweet Confections: a quaint café/ bakery on Magazine St. They offer delectable pastries as well as a full breakfast-lunch menu. I practically inhaled my veggie wrap (okay, maybe I was just starving).

Sucre Bakery: a pastry haven. If you’re like me, you’ll be craving a traditional macaron in this French-influenced city. This bakery has every flavor of the delicate dessert that you can imagine, plus coffee and other baked goods. Even if you don’t like macarons, you’ll love seeing the vibrant rounds stacked in cake form behind the case.

Magnolia Sugar and Spice: a hot-sauce-shop-slash-bakery in the French Quarter that specializes in a classic nutty confection: the praline. Incredibly sweet and impossibly good; I wish I could load a whole suitcase full to take some home with me.

HONORARY MENTION- Auction House Market: a stunning food hall that WAS in the Warehouse District. Sadly, this co-op closed shortly after my visit, but it was so adorable that it deserved a mention here. The central bar was adorned with trailing plants and provided a perfect workspace for local professionals. The back room featured a gorgeous moss wall—I sat there sipping my latte and enjoying the botanical view for hours.

City History & Culture

Café du Monde: OKAY, you caught me, the first one is just more food. I came to realize that between creole cuisine and French pastries, food is a large part of NOLA culture. If you’re wondering where to find a classic New Orleans beignet, look no further—this is THE spot. Their outdoor stand in the French Market offers the full experience: freshly fried pastry dough copiously coated in powdered sugar that is simply *impossible* to not get all over your clothes and face. You can also sip a chicory coffee while you people watch, which is sure to be an exciting sport around Mardi Gras time.

French Quarter: the historic district around which everything in New Orleans revolves. This area has something for everyone: upscale boutiques, restaurants and bars, horse-drawn carriages, voodoo shops, and ghost tours that tackle NOLA’s dark history of slave torture. Bourbon Street, a 13-block stretch of bars and neon, plays host to late-night gatherings and streetside parties. This neighborhood showcases the wrought iron balconies and lush courtyards that characterize NOLA architecture.

Mississippi River: the waterfront bisects the French Quarter and offers a bustling snapshot of the city, with commemorative statues and street vendors galore. Throughout history, the river has signified commerce, but large industrial complexes blocked the waterfront from public access. Since the warehouses were removed in the 1970s, visitors have enjoyed the river with beachside picnics and riverboat tours.

The steps were strewn with party paraphernalia; I imagine they're usually much cleaner!

St. Louis Cathedral: the oldest continuously active church in the United States!!! Also known as the Cathedral-Basilica of Saint Louis King of France, this cathedral stands at the edge of the French Quarter and the Mississippi River, boasting jaw-dropping architecture and stained-glass art. The building undergoes regular renovations to reinforce the 200-year-old structure, but Catholics still attend Sunday morning service every week. Interestingly, the site has been a place of worship for even longer, but the original building was burned to the ground in 1788. The current cathedral has stood since 1793.

The Swamp: New Orleans belongs to a temperate deciduous forest biome with marshes all along its tributaries. These boggy inlets create one of the longest coastlines in the United States! Sadly, I did not encounter any gators while down in the bayou, but these forested wetlands play host to complex ecosystems with turtles, pelicans, mosses, and cypress trees, the latter of which play a vital role in protecting the swamp from soil erosion. The rough terrain of this fragile ecosystem has long protected New Orleans from Southern attacks, while providing access to important oceanic trade routes.

Buckner Mansion: built by a cotton kingpin in 1856, this mansion is one of many in the Garden District, featuring grandiose gates, stone columns, and not one, not two, but three ballrooms! The property is rumored to be haunted by the Buckner family’s slave, Josephine, which explains why it was chosen as the set for American Horror Story Season 3: Coven. Nowadays, ghost enthusiasts, AHS fans, and ambitious property buyers alike flock to the Buckner Mansion to admire the architecture and catch a glimpse of poor old Josephine.

Mardi Gras traffic only allowed a drive-by, unfortunately

          Though I had no idea what Mardi Gras in NOLA entailed, I was so grateful to discover southern hospitality, amazing food, and ritual transformation, all steeped in fascinating history. If I were to celebrate Mardi Gras in NOLA again (which is something I definitely plan on doing), I would arrive a week or two before Fat Tuesday to experience more parades from the other prominent Krewes. I would also reserve a spot on a ghost tour because WOW this city has some dark lineages. I did not have nearly enough time to explore all this city has to offer. However, my first Fat Tuesday celebration was an absolute riot, and it’s all thanks to Payton and the friendly people of N’awleans.

Leave a Reply

Your email address will not be published.

Post comment