What is Yoga without Sexual Assault?

Stains on the Lineage: Ashtanga's Reckoning

          On September 6th, 2025, an anonymous collective of Ashtanga yoga practitioners on Instagram (@1percenttruth_) accused Taylor Hunt, longstanding Ashtanga yoga teacher, of “inappropriate sexual behavior.” They alleged that, among other forms of physical and emotional abuse, Hunt frequently coerces female students into sexual relationships. Two weeks have passed since their bombshell, and in that time, countless students and prominent leaders from the Ashtanga community have come forward to corroborate these claims.

          The entire episode reeks of déjà vu. Back in 2018, a series of sexual assault allegations against primary Ashtanga guru and founder, K. Pattabhi Jois, very nearly destroyed the lineage. The esteemed yoga teacher was posthumously accused of groping, humping, and even fingering his female students under the guise of providing postural adjustments.

A Common Thread: Abuse Across Modern Yoga Traditions

          The Ashtanga case is only the latest in a long line of global yoga/ sexual assault scandals. Throughout the 1970s and 80s, guru Satyananda Saraswati of Yoga Nidra faced investigations for child sexual abuse, and Integral Yoga guru Satchitananda Saraswati made headlines in 1991 for molesting his students.  Bikram Chowdhury, creator of Bikram Yoga, accumulated five sexual assault-related lawsuits by 2014. The #MeToo movement in 2017 spurred a new onslaught of allegations, with Pattabhi Jois and Kundalini Yoga’s Yogi Bhajan joining the list of offenders. Nowhere in the yoga world feels safe – every lineage is a new can of worms, writhing with slimy intent underneath thin tin lids of ‘spiritual detachment.’

          Every time these gurus come under fire, their respective communities are forced to grapple with the realization that their yogic teachings are ethically compromised. Some teachers, feeling that their philosophies are irrevocably tainted, close the doors of their studios permanently. Some condemn their gurus’ actions but refuse to abandon their pedagogies – instead opting to change the names of their studios (‘Bikram Yoga’ became simply ‘Hot Yoga’) or adopt new trauma-informed techniques (now, instructors often ask consent before providing posture adjustments). Still others reject the entire tradition of guru-disciple lineage (guru-śiṣya paramparā), which, they claim, feeds into cycles of sexual violence. They call for a “post-lineage yoga:” a movement that rejects the autocratic guru in a good-faith effort to democratize yoga, even as it flounders with the complexities of spiritual authority and orientalist epistemology.

          Abuses are so interwoven in every fiber of these yogic traditions – from the modern brand names to the ancient education model – that perhaps the very fabric of yoga is sullied beyond redemption.

          The question remains, then: what is yoga without sexual assault? Other lineage-based communities, such as Indian classical music, have successfully curbed misconduct by improving oversight and enforcing ethical standards. Yet, in the yoga world, sexual assault continues unabated, festering in the intimate and vulnerable confines of studios and ashrams. Why do these spaces – intended for healing and soul-searching – so often become ones of exploitation and coercion? And how does yoga itself abet these harmful patterns? The answer, I believe, goes much farther back than New Age misogynists and #MeToo. 

Predatory Metaphysics: Gender & Power in Pre-Modern Yoga

          Today, over 80% of global yoga practitioners are female. But in premodern India, circa 7th-13th centuries CE, yoga was a male-dominated tradition. Yogins (male practitioners of yoga) make frequent appearances in medieval ritual texts, art, and literature; they are usually human men who, by virtue of devout spiritual practice, have attained god-like metaphysical powers.

          Yoginīs (female practitioners of yoga), on the other hand, are rarely mentioned. In texts on Tantric yoga, they are overshadowed by male ritualists; women, after all, are thought to be mere distractions from the spiritual path. When yoginīs do appear in ritual texts, they are terrifying and grotesque; fierce witch-like spirits who fly over the cremation ground, their feet turned backwards and their hair splayed wild as they accost innocent men. This textual canon reflects an age-old paradigm of patriarchy: men are impressively powerful, but women are only dangerously so.

          The yoginī’s distinct role in medieval texts points to a long history of sexual skulduggery in yoga. In 7th century Tantric yoga texts like the Brahmayāmala Tantra and the Siddhayogeśvarīmata, the yoginī is a female ritual partner who provides bodily fluids for the male ritualist’s cāru (impure offering). These fluids are attained through a variety of sexual rites, in which the yoginī’s body is worshiped as a vessel for shakti, the divine feminine energy.

          The 9th-10th century yogic text, the Kaulajñānanirṇaya, describes yoginīs as goddesses themselves and prescribes male practitioners to invoke them through ritual. This text promises that the yoginīs will appear to any successful (male) ritualist and “kiss” him with their vulvas, thus bestowing him with their supernatural powers. In such rituals, the yoginī exists to benefit the yogin; whether worshiped as a ritual object or as a divine being, the woman must surrender her sexual power for a man’s spiritual gain.

          This gendered power dynamic is itself an outgrowth from an older, classical school of philosophy: Samkhya. In the Samkhya-Yoga ontology, women are potent sources of shakti: the fertile feminine force that animates the cosmos. However, premodern yogic texts were written exclusively by men and for men. Therefore, these texts tend to concern themselves not with the female practitioner, but with the male practitioner’s cultivation of feminine power. These texts suggest that yogins need not spend their own shakti – they should instead harvest it from yoginīs, who, of course, are assumed to have no use for it themselves.

On the Restoration of Tattered Textiles

          Up until 2018, those who testified against K. Pattabhi Jois were dismissed and often met with vitriol. He was a great man and a great yogi, his defenders roared; how could he have hurt you? Yet, as many eyewitnesses have since confirmed, Jois’s abuses were hardly discreet. They were committed openly under the bright fluorescents of Ashtanga studios, so thoroughly entrenched in the practice itself that no one dared – for decades! – to question the master and his ancient methods.

          For the yoginīs of the Ashtanga lineage, their shakti is not really their own. It is policed by men, crafted according to male standards, and eventually stolen: an impure offering to the deified male guru. Taylor Hunt – like K. Pattabhi Jois and many other yogins before him – gains power by draining that of his students. He elevates his own status by violating women.

          The Ashtanga community is forever indebted to the teachers and students of 1percenttruth_ who are bravely working to expose physical abuses in yoga. But an insidious system of gendered metaphysics continues to pervade yoga spaces around the world, perpetuating a worldview that both enables and justifies the exploitation of women’s sexuality. Sexual assault is not just a taut thread that wrinkles a few lineages; it is the loom upon which these yogic traditions are woven. As we extricate one from the other, we must be prepared for the entire tapestry to unravel.

Acknowledgements

  • Amelia Wood for her important work on abuse in yoga.
  • Theodora Wildcroft for her bold attempt at redefining yogic education – I admit that I harbor a healthy skepticism of post-lineage yoga, but ultimately, it is the only way forward.
  • Christian Novetzke, Shelby House, and the other members of the Spring 2024 JSIS public writing workshop, who supplied invaluable edits and discourse for this piece.
  • The brave students and teachers at @1percenttruth_ , and everyone else who has survived abuse in a yoga space. Thank you for sharing your stories. We believe you. You are not alone.

Featured image (“Dakini with Consort”) courtesy of The Huntington Archive at the University of Chicago

On the Eve of Feminine Rage

2.13

अतुलंतत्रतत्तेजः सर्वदेवशरीरजम् ।

एकस्थंतदभून्नारीव्याप्तलोकत्रयंत्विषा ।

“Unequaled light, born from the bodies of all the [male] gods, coalesced into a female form and pervaded the three worlds with its splendor.”

2.32

अन्यैरपिसुरैर्देवीभूषणैरायुधैस्तथा ।

सम्मानिताननादोच्चैः साट्टहासंमुहुर्मुहुः ।

“Honored also by the other gods with adornments and weapons, the Devī [Goddess] laughed thunderously and defiantly again and again.”

2.33

तस्यानादेनघोरेणकृत्स्नमापूरितंनभः ।

अमायतातिमहताप्रतिशब्दोमहानभूत ।

“She filled the entire sky with Her terrible roar, and from the immeasurable din a great echo resounded.”

2.34

चुक्षुभुः सकलालोकाः समुद्राश्चचकम्पिरे ।

चचालवसुधाचेलुः सकलाश्चमहीधराः ।

“All the worlds shook, and the oceans churned. The earth quaked, and the mountains heaved.”

3.28

इतिक्रोधसमाध्मातमापतन्तंमहासुरम् ।

दृष्टवासाचण्डिकाकोपंतद्वधायतदाकरोत ।

“When She saw the great asura approaching, inflated with rage, Candikā aroused Her wrath and prepared to slay him.”

3.34

ततः क्रुद्धाजगन्माताचण्डिकापानमुत्तमम् ।

पपौपुनः पुनश्चैवजहासारुणलोचना ।

“Angered, Candikā, the Mother of the worlds, drank a divine potion, and with eyes reddened She laughed again and again”

3.37

देव्युवगच ।

“The Devī said:”

3.38

गर्जगर्जक्षणंमूढमधुयावत्पिबाम्यहम् ।

मयात्वयिहते’ त्रैवगर्जिष्यन्त्याशुदेवताः । 

‘Bellow, you fool, bellow for now while I drink this potion. After I have slain you, the gods will cheer in this very place.’

3.40

एवमुक्त्वासमुत्पत्यसारूढातंमहासुरम् ।

पादेनाक्रम्यकण्ठेचशूलेनैनमताडयत् ।

“Having declared that, She leapt upon the great asura, pinned his neck down with Her foot, and pierced him through with Her spear.”

– The Devī Mahātmyam

Full text here. Transliteration & translation here

          The Goddess arrived in Kolkata on the morning of October 10th, her ten delicate hands dyed red with alta as they brandished the gods’ weapons. Joyfully she comes year after year to the capitol city of West Bengal, India, where the city’s residents build thousands of clay murtis (idols) to honor her many forms. Brahmin priests invite Her spirit with Sanskrit chants and clamorous drums, methodically consecrating the murtis so that Maa Durga may reside among us.

Priests prepare a ritual fire before a Goddess idol.
A havan, or ritual fire, used to invite the Goddess to earth on saptami, the seventh day of the festival.

          For Bengalis, Durga Puja is the climax of the year. The Divine Mother’s presence on earth is tangible: an exuberant energy that compels us to don our finest outfits and dance in the streets. The entire city is transformed with colorful LED panels, pop-up fuchka stalls, wandering balloon vendors, and advertising billboards. Each neighborhood crafts elaborate pandals: temporary structures that house Devī murtis in every shape and style. 

An elaborate pandal in Kolkata, surrounded by large crowds, advertisements, and festive lights.

          On the final day of the festival, devotees lovingly immerse their idols in the holy Ganges River, disintegrating them. They release the Goddess from her mortal form, and with melancholic praise, they bid Her farewell until next year.  

          Yet, this year, beneath the din of festive music, devotional mantras, and friendly chatter, a dissonant thrum builds to a crescendo. A wrathful chorus of wails, issued by a growing mob. They have gathered in the streets to demand justice.

          Two months prior to Durga Maa’s well-anticipated arrival, Kolkata was rocked by the discovery of a female doctor’s lifeless body in the seminar hall of RG Kar Medical College and Hospital. The young woman was found naked and bleeding from her genitals, mouth and eyes. Despite blatant evidence of a brutal rape and murder, the case was initially declared a suicide by the hospital’s president, who has since been accused of conspiring with local police to destroy evidence. It would seem that he is not the only one to have obstructed the investigation – for while the autopsy report clearly indicates multiple perpetrators, federal authorities continue to insist that one conviction is enough.

          This crime and its subsequent mishandling have sparked protests across India. Protesters – largely women – have raised questions as to the structures of power within the hospital and within India at large that enable these horrific abuses. Indeed, this incident, as harrowing as it is, is not altogether unfamiliar. The 2024 events at RG Kar harken back to the 2012 Nirbhaya case – involving the gang-rape and fatal assault of a physiotherapy intern on a Delhi bus – which likewise drew international attention to the alarming trend of gender-based violence in India. 

          Across the country, nearly 100 cases of rape are reported each DAY – to say nothing of the countless acts of sexual violence that go unreported. Due to the slim chances of conviction and the pervasive stigma against women’s sexuality, published statistics only convey a fraction of the dangers faced by Indian women. India is plagued by sexual assault, domestic violence, female infanticides, dowry deaths, and honor killings. And despite its ancient history of Goddess worship, India remains the most dangerous country in the world for women.

An ornate brass Devi idol

          Herein lies the problem with ancient Indic scriptures, written always by men and for men: Śakti, the cosmic feminine force, is thought to animate our reality – and yet this power may only be cultivated and controlled by men. Woman’s life is given by man, and it is forever liable to be taken by man as well. How is it that men reserve the right to desecrate the body of the Holy Mother, be she doctor, intern, or else, even as they consecrate her form sculpted from clay? How can those very same men claim to venerate the Divine Feminine while they beat and batter women, leaving them to die excruciating deaths on street sides and in seminar halls?

          Perhaps what we need now is not reverence for the Goddess, but rather unbridled fear. When She bares her teeth to issue an earth-shattering roar, men should not bow but cower. They should tremble and beg for Maa Durga’s mercy, knowing that they have not done enough to keep Her daughters safe.

A Durga idol with red clothes and encased in clay.

          In her last moments on earth, a young woman at RG Kar was made to cry tears of blood. This Durga Puja, she returns to Kolkata in the form of the Great Goddess, her eyes blazing red with unfettered rage. Through the clay idols of Devī, through the sorrowful shouts of every woman who has ever known pain, she will exact her revenge. She, and we, will know justice by her sacrifice.

          Let us arouse our wrath in service of our fallen sister, a promising young medic who had so much of her life ahead of her. Like Mahadevī, her life was designed and dissolved at the hands of men – taken too soon by a system that treats female bodies as less than male desires. May the oceans churn and may the mountains heave with the force of our rage and terrible grief, which we offer unto the world so that our daughters may live in a kinder world than do we. After we have slain this demon of our modern times – this violent, senseless patriarchy – we will not wait for the gods to cheer. We will laugh defiantly again and again, reclaiming our śakti as our own. 

A classically designed Devi murti with white garments, ornate jewelry, and red eyes.

Join the Fight:

  • Donate to Parichiti, a Kolkata-based women’s group that works towards gender equity by empowering women AND educating men.
  • Donate to MAVA (Men Against Violence and Abuse), an outreach organization dedicated to dismantling violent and patriarchal modes of socialization among young men.
  • Donate to Swayam, a feminist NGO committed to advancing women’s rights and ending gender-based violence.
  • Spread awareness about gender-based violence and injustices in India – even if you don’t live here. International visibility is highly effective in catalyzing social change.
  • Advocate for legal and social accountability – both the perpetrators of violent crimes and the bureaucrats who cover them up must be brought to justice.
  • Talk to your male friends & family members about what they can do to protect women. Gender-based violence is NOT only women’s problem to solve.